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Saturday, February 28, 2009

Experimental Electronic


Electronic music has grown to include so many subgenres that it is getting hard to keep track of them all. Because of the limitless options available on the computer, artists are getting further and further into the obscure. Experimental includes IDM, trip-hop, and other electronic-based music that relies a lot on live instruments or sampling. Three such artists I included below who I have been listening to more and more often lately for their feel and the atmosphere they create. Keep in mind all these songs are part of an album and deserve to be listened to as such.

Amon Tobin is a Brazilian living in the UK who took his name from a Steven King novel. His 2001 CD Supermodified is considered one of the best of its kind. He has worked on soundtracks in addition to his albums, all of which is evident just by listening to a few of his songs. He so easily captures a mood with bizarre samples and heavy live percussion. "Four Ton Mantis" has the beat down perfectly, laid over a strong piano bassline and Middle Eastern tracks. "Deo" on the other hand, creates an entirely different mood. This is one of the songs of his I see fitting in perfectly to a transitional phase of a movie. Amon Tobin conveys emotion out of a fairly simple drum pattern over a repeating acoustic guitar.

Amon Tobin - Four Ton Mantis
(YSI)
Amon Tobin - Deo (YSI)

Flying Lotus' last album Los Angeles of last year was very well-received among the music critic community. I am partial to it just because of the album title, but With a sound more based in hip-hop and beats, the album has a very nice unity throughout. His strongest asset is the clink-clank drum sounds that perfectly accompany each song. "Camel" forces you to bob your head along to the beat.

Flying Lotus - Camel (YSI)

Finally, Venetian Snares (Aaron Funk) use very wide-ranging samples, my favorite of which is from the song "Gloomy Sunday." Also from a phenomenal movie of the same name, this song is officially banned in the United States and in its native Hungary. There are legends of the songs unfortunate effect on people, as many have committed suicide either listening to the song or after crafting their own version. Even Rezső Seress, the original composer, jumped out a windo. Regardless, the song is beautiful and perfectly sampled by Mr. Funk.

Venetian Snares - Öngyilkos Vasárnap (YSI)

Tuesday, February 24, 2009

Brian Jonestown Massacre



The Brian Jonestown Massacre is an amazing 90's Shoegaze, Neo-psychedelic band from San Francisco. Their name is derived from blending the name of The Rolling Stones' lead guitarist Brian Jones and a famous mass suicide in Jonestown, Guyana. I don't know what they were after with their name but I like their sound. One of their former guitarists, Peter Hayes, who you guys might know better as the founder of Black Rebel Motorcycle Club, melts some faces on these tracks. Let me know what you guys think. Cold To the Touch and Nevertheless are my favorites for their jam band style. Its pretty yummy.

Monday, February 23, 2009

Burial



Critically acclaimed for both his debut and follow-up last year, Burial truly has a distinctive sound. He bolsters his ambient moans and auras with clicky drums and beats that keep the music interesting. At any weird hour of the night, Untrue remains one of my favorite CDs to listen to. I particularly love the wandering bassline and falsetto moans of "Etched Headplate." While this song is great, the album is still meant to be listened to as such, so please get it in its entirety.

Although I am not a fan of the new Bloc Party (either of their last two CDs actually), Burial put his distinctive touch on "Where is Home?" from A Weekend in the City. I have no idea why he chose this song, but at least it sounds much more like a random Burial track than anything off of that album.

Burial - Etched Headplate
(YSI)

Bloc Party - Where is Home? (Burial Remix)
(YSI)

Thursday, February 19, 2009

Marc Bolan


Alright, so we all know Marc Bolan was a bit of a nutball, and we take the glamrock glitter of T-REX for granted; but in 1974, he put out this awesomely original folk-blues album called The Beginning of Doves, which mostly features him solo on an accoustic guitar. In interviews, Devendra Banhart always cites these extremely obscure or South American influences -- but I am absolutely positive that one day, long ago, he heard this album and thought, 'I am going to sing just like that man...'



Sorry for the Delay (The Early Recordings)


Due to an unheralded popular demand, I am reposting these two songs off of Grizzly Bear's B-side album, Sorry for the Delay (The Early Recordings). In anticipation of their new cd, you ought to check out these throwbacks to a time when Grizzly Bear was just a set of Garageband demo's...


Tuesday, February 17, 2009

Trentemoller



"What Else is There?" is such a great collaboration between Karin of the Knife and Röyksopp. The Thin White Dukes Mix is great, but I think I prefer the Trentemøller version. He completely changes the nature of the song, including her piercing vocals, increasing the intensity and bringing out every part of the song. They are both great, just a matter of personal opinion.

Röyksopp: What Else is There? (Trentemøller Remix)
(YSI)

I'm also including one of my favorite Trentemøller remixes, one that he did of himself. "Moan" is off of his CD The Last Resort, and while it's a good song, it really never struck me as anything special. The basic track on the remix is one of my favorites. This is Trentemøller at his best.

Trentemøller - Moan (Trentemøller Vocal Remix) (YSI)

Veckatimest


Veckatimest: Grizzly Bear's third full length studio album which is set to be released May 26th. 
The album name comes from a small, uninhabited island off the coast of Massachusetts. I don't know what that means but that's the only information thats been leaked yet that I have found.
Track Listing:

01 Southern Point
02 Two Weeks
03 All We Ask
04 Fine for Now
05 Cheerleader
06 Dory
07 Ready, Able
08 About Face
09 Hold Still
10 While You Wait for the Others
11 I Live With You
12 Foreground

Today I happened upon a pretty good live studio session for their tenth track.

Grizzly Bear: While You Wait for the Others

Fetus: I hope you're ready for the visit because I'm pretty excited.

Monday, February 16, 2009

Röyksopp


To continue my Karin Dreijer binge a friend of mine introduced me to this flower of joy. I can only describe it as delicious. Jason, I hope this isn't old news for you.






Heartless Bastards


Dayton Ohio's The Heartless Bastards have just released their new album called The Mountain on Fat Possum Records. Spoon producer Mike McCarthy contributed to the albums release giving it a new feel from the Bastard's past. I enjoy this tune which anchors a pretty solid album.


Heartless Bastards - The Mountain

Saturday, February 14, 2009

Gui Boratto


Gui Boratto's new CD Take My Breath Away is another great album from the Brazilian DJ who's debut Chromophobia is one of my favorite minimal albums. This one follows a pretty similar path of intricate noises and wandering songs. He has a fairly basic structure to his song construction, but the parts that make up the whole are so great, that I almost appreciate the simplicity. The album artwork (available on his website) is pretty strange, nor do I like the idea of associating a picture with a minimal album. I much prefer the artwork for Chromophobia.

As far as the music goes, it is just what was expected, and that is definately a good thing. The guy has a good formula, and he is sticking to it. "No Turning Back" has a gritty sound to it, almost like an electric guitar, but yet it sounds as pleasant and any of his other songs. The vocals are spot on - minimal and secondary to the music, but adding a touch of humanity to the song. Once you guys listen, I'm sure you will know what I mean.

Gui Boratto - No Turning Back (YSI)

I am also including a random track I loved off of his debut and a great remix of Goldfrapp.

Gui Boratto - 22 (YSI)

Goldfrapp - A&E (Gui Boratto Remix) (YSI)